Author Archives: Roger W. Lowther

I gathered with thirty or so others on the top floor of an art space in West Tokyo for a performance of “HOPE” between Good Friday and Easter. The wind blew a light rain through the window as a man danced beneath the dull orange glow of the setting sun. Through the hour-long performance, the …

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One foot is in a pointe shoe. The other is bare. One foot is dressed for onstage and is presentable to audiences. The other shows blood, sweat, and tears. On stage, dance is beautiful with costumes, choreography, sets, and music. Off stage, dance is cuts, bruises, sore muscles, and injury. Feet are the means through which they bring the good news and preach the gospel.

The auditorium was packed with students and professors as part of a week of events sponsored by the Asian Studies Department at Belmont University in Nashville. For my part, I talked about kintsugi, the traditional Japanese art of joining broken shards together with gold. “Kintsugi is not about fixing; it’s about recreating into the new. …

Continue reading “The Hope of Kintsugi”